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An important 1971 Faber edition of Surrealism, edited by renowned art critic Herbert Read, with contributions by André Breton, Hugh Sykes Davies, Paul Éluard and Georges Hugnet. Extensively illustrated and an excellent reference on the history, theory and development of the Surrealist movement.
1 in stock
Surrealism edited by Herbert Read is an important and highly regarded study of one of the twentieth century’s most revolutionary artistic and intellectual movements. Originally published by Faber & Faber in 1936 and reissued in this distinctive Faber Paper Covered Edition in 1971, the volume brings together influential writings on Surrealism under the editorship of celebrated British art critic, poet and theorist Sir Herbert Read.
The book includes contributions by major figures associated with the Surrealist movement, including André Breton, Hugh Sykes Davies, Paul Éluard and Georges Hugnet. Breton, regarded as one of the principal theorists and founders of Surrealism, is joined by writers who examine the development, philosophy, poetry and artistic significance of the movement. The work combines critical and historical discussion with extensive visual material, making it both a scholarly reference and an appealing book for collectors of modern art publications.
Surrealism transformed twentieth-century art by exploring dreams, the subconscious, unexpected juxtapositions and unconventional forms of expression. This important anthology provides valuable contemporary perspectives on the movement and its development, placing Surrealist art and literature within its wider intellectual context.
Illustrated throughout and featuring the memorable period Faber cover design, this 1971 edition has considerable visual character. It will appeal particularly to collectors and students of Surrealism, modern European art, avant-garde movements, André Breton, twentieth-century art history and Herbert Read, as well as readers interested in the relationship between modern art, poetry and literary theory. Bibliographic records confirm the 1971 Faber edition at 251 pages and classify the work under Surrealism and modern art.
Condition – Good
Paperback with noticeable rubbing, scuffing and general shelf wear to the covers, particularly along the edges, corners and spine. Some age-toning to the page edges.
