R750.00
In The Story of South African Painting, Berman traces the evolution of artistic expression within the complex social, political, and cultural framework of South Africa. She examines early topographical and documentary painters, the emergence of a distinct local sensibility, and the gradual shift toward modernism and individual artistic voices.
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The Story of South African Painting by Esmé Berman (A.A. Balkema, 1975) is a foundational and highly respected survey of the development of painting in South Africa, widely regarded as a cornerstone work in the study of the country’s visual art history. First published in the mid–twentieth century and issued in this 1975 Balkema edition, the book reflects Esmé Berman’s pioneering role as one of South Africa’s most influential art historians and critics. It provides a coherent, scholarly, and accessible narrative of South African painting from its earliest colonial beginnings through to the modern period.
In The Story of South African Painting, Berman traces the evolution of artistic expression within the complex social, political, and cultural framework of South Africa. She examines early topographical and documentary painters, the emergence of a distinct local sensibility, and the gradual shift toward modernism and individual artistic voices. The book gives balanced attention to European-trained artists, locally born painters, and the growing recognition of African and modernist influences, situating each within their historical context. Berman’s writing is both analytical and readable, making complex artistic developments understandable without oversimplification.
The volume is richly illustrated, with reproductions of key works that support the text and allow readers to follow stylistic changes and thematic concerns across generations. These illustrations serve not merely as decoration but as integral visual evidence of Berman’s arguments, reinforcing the book’s value as both a reference and a teaching tool. The author’s critical insight and broad knowledge enable her to connect individual artists and movements to wider international trends while remaining firmly grounded in the South African experience.
Published by A.A. Balkema in 1975, The Story of South African Painting remains an essential title for collectors of Africana, students of art history, and readers seeking a serious yet approachable overview of South Africa’s painting tradition. Its enduring relevance, scholarly authority, and historical scope ensure its continued importance in any comprehensive library of South African art and cultural history.






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